Steven Leffue | sound artist

Music is a human's intention and/or perception of sound.

​So, all sound designs are also music.

​For me, this idea has manifested as compositions, improvisations, sound synthesis, algorithmic and probability based interactive structures, immersive performative environments, research into computer learning, and other applications maximizing interplay between live performers, audiences and sound.  ​

My work currently deals with textures of varying intensity and opacity which combine to create intricately woven webs of sound.  The scope of my music has intersects with the influences of Beethoven, Bach, Haydn, Wagner, Berio, Stockhausen, Parker, Xenakis, Cage, Coltrane, Varese, Hendrix, Braxton, Evan Parker, Ronald Stabinksy, Peter Evans, Merzbow, Emile Beaulieu, Borbetomagus, and Michael Foster, among the countless others.   I generate my source material using both analogue instruments and digital synthesis.  Often, I manipulate acoustic sources using interactive digital processes to generate compositional structures or as an effects with which I improvise structures.  Modeling human interactivity characteristics in the synthesis process creates what I feel like are "living" sounds. 

In order to define new and relevant scales of frequency, I enjoy building synthesis systems to model and mutate generative sound concepts for each production. This rigorous process gives each piece it's own distinct personality and energy.  Deep listening and the ability to explore anew engages me compositionally.  This generative cycle is what I enjoy about my work and my favorite artists.